![]() ![]() You wouldn’t bet against something similar happening to a track from Coping Mechanism, which toughens up her sound. Smith seems to keep doing it without breaking a sweat. ![]() #Queen a night at the opera vinyl value how to#There are marketing departments spending millions trying to work out how to provoke dance trends, get emo types lipsyncing and indeed reach the world’s #hotboi cineastes and bucket-hat crocheters. Likewise, 2019’s woozy Time Machine found a niche soundtracking TikTok videos that dreamily salivate over #hotbois, be they Harry Styles or Chris Hemsworth 2020’s Pixies-ish Meet Me at Our Spot was the perfect accompaniment to videos about what you did in the summer and/or anime clips and 2021’s Transparent Soul resonated with emo types lipsyncing, more anime clips, and “Hey guys check this out I crocheted my own bucket hat!!!”-core. No matter that her exploratory debut album Ardipithecus got a muted reception: its track Wait a Minute! inspired an online dance challenge, and has been streamed 765m times on Spotify. What’s beyond debate is Smith’s ability to make music that resonates with a young audience. ![]() Whether you view all this as Bowie-esque shapeshifting, a reflection of the post-genre pop world engendered by streaming or the dabbling dilettantism you might expect from the child of Hollywood superstars is up to you. By the time she released 2021’s pop-punk leaning Lately I Feel Everything, she was at a point where she could appear on the cover of Kerrang! discussing the influence of Lamb of God and sludge metal heroes Crowbar. Even leaving aside her brief period as a tween pop idol, Smith has moved from leftfield alt-R&B to experimental bedroom pop, from Alanis Morissette-inspired singer-songwriter confessionals to shoegazy psychedelia. Certainly, few can claim to have covered so much musical ground. F ew 21-year-olds can claim to have enjoyed a pop career as long as Smith’s, which is now in its 10th year. ![]()
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